This is how the most recognizable Frida Kahlo reveals Her powerful Identity.
Frida Kahlo was a female artist famous for her self-reflective surrealist paintings. She became one of the most loved artists of the 20th century and created a legacy in art history that continues to inspire imagination, minds, and souls. Her paintings were a revival feminist movement in art.
Public including scholars, art critiques got fascinated by her life story and how Frida had reflected the story of her life in her paintings. Her real-life experiences inspired the vast majority of Frida Kahlo's work. Most of her works consist of self-portraits in which she depicts her emotional and physical suffering. After a severe bus accident and being physically handicapped, her life's pain served as the primary source for Frida's inspiration. In the beginning, people seem more attracted by her personal life than her art, which was seen as more of a tool to express her emotions during the difficult situation between life and death. However, there was much more in her paintings than just portraying herself and her feelings. Despite the personal identity, cultural and political identity is reflected in her paintings as well. Kahlo's life experiences and emotions, which are best expressed in her artwork, such as her abortion series: Henry Ford Hospital (1932), Frida and the Abortion (1932), and The Two Frida's (1939), represent her difficult life.
" Frida had a life with a lot of pain and suffering, and all the physical and spiritual sufferings Kahlo experienced were reflected in her art 1. As Gregorio Luke explains, "Her work was very inclusive. She utilized pop culture elements, Indian, Aztec mythology, surrealism, and a whole variety of things that many people can identify. She is the multicultural artist par excellence 2. This research provides many insights into the truth behind her painting.
1Zamora, Martha. Frida Kahlo: Brush of Anguish. Chronicle Books, 1993. 2Mencimer, Stephanie. "The Trouble with Frida Kahlo." The Washington Monthly 34, no. 6 (2002): 26-32.
Kahlo's majority of artworks are small, twelve by fifteen inches. She lay down delicate strokes of color with tiny brushes and made her story persuasive through realism style.
In the sixth year of her life, Frida started struggling with polio, and she spent nine months alone in her room. The dream of having an imaginary friend who was always waiting for her and listen to Frida's secret problems was a magic friendship for her, and it becomes larger and larger inside her world, which explains the origin of the double self-portrait called The Two Frida's.
"I paint my reality," she said. "The only thing that Frida knows is that she paints because she needs to; she always paint whatever passes through her head, without any other consideration." 2 What inspired Frida Kahlo's and caused her art was the original and dramatic imagery of the twentieth century. Painting herself in a way that shows bleeding, weeping, and cracked open, she transmuted her pain into art with remarkable frankness tempered by humor and fantasy.
3Frida had a very tragic accident when she was eighteen. Everyone in Mexico who knew about Frida's accident says that it was fated. She did not die because it was her destiny to survive to live with pain. Her accident led her as a mature painter to organize her state of mind and set down her discoveries. Her paintings show the minute by minute sufferings. She painted herself because she was often alone, and she was the only subject she knew the best. Even when she painted fruits or flowers, it was with a vision seen through herself. The Broken Column, painted in 1944 after she had surgery. Sorrow and pain made by nails driven into her naked body. Her body's two sides are held together with a steel orthopedic corset, a symbol of confinement. Without the corset, she would fall apart.
3Herrera, Hayden, and Philippe Beaudoin. Frida: biographie de Frida Kahlo. Librairie générale française, 1996.
In her painting, Frida displays her wounds like a Christian martyr, and she used to pain and sensuality to represent the suffering.
Frida's costume became so essential a part of her persona and social communication. Using colorful ribbons, flowers, jewels declined her health. In some way, her decoration was affecting. It displays her love of life and resistance to pain. Her costume became an antidote to isolation; even at the end of her life, she dressed every day to prepare herself for the fiesta.
Frida's first series of bloody and terrifying self-portraits made her one of the original painters of her time in quality and expressive power. This series made after her miscarriage, and they were about the feminine qualities of suffering. Her painting was like poetry on canvas. In Henry Ford Hospital, Frida lies naked in her bed and her face covered with tears. And the bedsheet is covered with blood; her stomach is still swollen from pregnancy, and she holds six veins, which represents her emotions at the time of miscarriage. One is an unborn baby boy, and the other one is probably her injured spinal. She additionally illustrates her pelvic bones to displays the cause of her miscarriage. The snail refers to the slowness of the miscarriage. And the lavender orchid that Diego gave to her in the hospital, the idea of sensuality mixed with sentimental. Frida painted the ground the earth color to express loneliness and solitude. The building outside the hospital functions efficiently. Frida, on the other hand, is a wreck.