Next Big Thing In Men’s Fashion Is…Women’s Watches!

Kristina Akhrarova

As worn by Bad Bunny, the Weeknd and Timothée Chalamet, watches designed for women are a new fad in menswear.

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The Weeknd wore a women’s Piaget watch at the Cannes film festival.Photo byWIREIMAGE

On the Cannes red carpet, the Weeknd showcased a timepiece that transcended mere flashy watches – woman's watches! Adorned with 626 diamonds, 156 yellow sapphires, and 18-karat white gold, this Piaget watch resembles craftsmanship and opulence. Furthermore, according to Piaget's classification, this exquisite timepiece is categorized as a women's watch. Interestingly, within the realm of horology, the emergence of male celebrities proudly donning these elegant "ladies" watches has been steadily increasing as a notable trend.

In the month of January, Puerto Rican rapper Bad Bunny made an appearance at a Los Angeles Lakers game, seated courtside. During the event, he caught the attention of many when a small, shimmering timepiece from the 1990s, adorned with gems, was clearly visible on his wrist.

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A women’s Patek Philippe timepiece on the wrist of rapper Bad Bunny.Photo byGetty Image

Watch enthusiasts debate whether the trend of extravagant watches extends beyond red carpet events. Vintage watch dealer Mike Nouveau believes only about 1% of collectors actively participate. He suggests most men prefer a conventional approach, acquiring a moderate-sized Rolex Datejust to complete their timepiece journey. But, as he sees it, there are two varieties of watch-curious male collectors open to women’s watches: younger buyers, less concrete in their thinking about gender.

Nouveau's latest acquisition, a vintage gold "Reflet" watch from Boucheron, stands out. On his tattooed wrist, the tidy gold watch resembles a bracelet, unlike his conventional stainless-steel Rolex.

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Watch dealer Mike Nouveau wears a ‘Reflet’ model from French jeweler Boucheron.Photo byMike Nouveau
An increasing number of men search for accessory watches with gem sets, diamonds and rubies. For many men, it's their creative expression, especially if they don't wear other jewelry. – Eugene Tutunikov, CEO of SwissWatchExpo, one of the largest U.S. retailers of preowned watches.
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‘Succession’ star Jeremy Strong wore a women’s Richard Mille sport watch to the Met Gala.Photo byFilmMagic

Even if the mass market is not leaping for emeralds and sapphires, dealers report that broadly, men are drifting toward watches of a smaller, traditionally female scale. It’s almost like a backlash against the giant Panerais and 51mm Rolex dive watches.

Men may find economic incentives in women's watches as women typically take better care of their timepieces. This results in a greater supply of well-conditioned women's watches, which can be more affordable compared to men's watches. They’re actually way cheaper. On the vintage market, a smaller-faced Rolex can run thousands less than a similar 'men’s-size' watch.

There is one idea for watch brands to increase market share. While women are fine with wearing an oversize men's Rolex, men feel less inclined to buy women's watches. If relabeling them as 'unisex' it would increase sales of women's' watches to men.


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Dress is a fundamental element of social evolution. It comprises one of the most basic building blocks of inequality. Fashion, likewise, is neither frivolous nor trivial. It matters, has consequences. Dress and fashion have a significant impact on the way people live, define themselves, and operate within their own habitats. It is a game of differentiation, the means by which one ethnic group distinguishes itself from another, one social status and religious affiliation from another. Dress and fashion help identify the foreign, the minority, and the marginal, and can emerge as an influential means by which people challenge their status and reshape their identity within their own societies or on the global stage. In order to understand the complexities of what people wear and why, sociologists, anthropologists, historians, philosophers, semiologists, linguists and many others input their immense expertise. The study of modern civilization fashion along with mass production can derive no assistance from world history before comparatively modern times. In human history fashion is new and its future path is unknown.

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